When analyzing Blok’s poetics, one must take into account that 1908 was the year of the poet’s darkest experiences - personal and public. Therefore, the historical “optimism” of the poems “On the Kulikovo Field” is dual, it does not lend itself to straightforward interpretation. The lyrical hero of the poem exclaims: “And eternal battle!”, But this is the exclamation not only of a warrior of the 14th century, but also of his distant descendant, a refined man of the 20th century, who continues to feel himself ready for battle in front of a hostile camp. The poet’s historical optimism is formed in the recognition of the invincibility of the people’s zeal “to lie down dead for a holy cause.”
The personal despair that breaks through in some of A. Blok’s poems, and even in his prose statements and letters, in the cycle “On the Kulikovo Field” was absorbed by the majesty of popular daring. The deadness of peace and submission turned out to be imaginary, for the eternal battle has been bequeathed to us by history. Hence the prophetic lines in the second poem of the cycle:
Behind Nepryadva the swans screamed, And again, again they scream...
They symbolically remind that the Battle of Kulikovo continues, and the entire poem ends with a dramatic stanza: “I am not the first warrior, not the last... History appeared before the poet’s gaze in the inexorability of its movement through blood, grief, in the heroic feat of the people. And this sense of history as the reality of people’s life became the poet’s form of familiarization with the universal.
In the work of A. Blok, the poems “On the Kulikovo Field” were of great importance. The poet repeatedly addressed the historical tragedy of the gap between the people and the intelligentsia. In this complex dramatic conflict, he did not look for clear solutions. He was clearly convinced that in conditions of social poverty there is a gap between the people and culture, that the people - due to illiteracy - do not read the books they have suffered through, and this is the tragedy of not only the people, but also the intelligentsia itself. His own mental anguish was a reflection of this social tragedy. In the complex symbolism of the cycle of poems dedicated to a real event in people's history, the lyrical hero becomes familiar with the torment and feat of the people and thereby overcomes his fatal alienation.
The last poem of the cycle “On the Kulikovo Field” is dated December 1908, and a little earlier, in October, Blok created the poem “Russia”, in which he again turns to the symbolic Gogolian troika, so beloved by him, rushing across the vast expanses of Russia. But this is no longer a “bird-three,” Blok saw worn-out harnesses, painted wheel spokes getting stuck in loose ruts
Russia, poor Russia, Your gray huts are to me, Your wind songs are to me, Like the first tears of love! Again the same motive: “Oh, my Rus'! My wife! To the point of pain. "
Bizarrely intertwined, the melancholy pain of the poverty of gray huts and admiration for the feminine shadow pass by:
And you are still the same - a forest, a field, and a patterned cloth up to your eyebrows.
And the poem ends with the memory of a momentary glance from under a scarf and the cautious melancholy of the coachman, with a song driving his seedy troika, bogged down in the native abyss.
In the poem “On the Railroad,” Blok’s heroine acquired an unusually prominent democracy. The Beautiful Lady is aristocratic, she was commensurate with the vastness of space, the Stranger with a beautiful but alien vision passed through the base life. And the girl at the lost stop is a child of the people, behind her single fate are many democratic destinies. The girl “in a colored scarf” from a lost stop and the warrior of the 14th century, who thought about the fate of his homeland on the banks of the Nepryadva River, found themselves in a common poetic cycle, because with all their differences they expressed the poet’s democratic aspirations.
History as a manifestation of the swarm life of the people acquired unshakable certainty in his eyes. The people's hero of the Battle of Kulikovo, he himself says about himself: “I am not the first warrior, not the last,” the fate of the homeland fell on his shoulders; The popular image of Blok’s girl is Tolstoy’s sister Katyusha Maslova. The iron melancholy of her homeland also fell on her shoulders. Both of these images embodied both the poet’s faith and his despair, his rejection of the horror of real historical existence.
The hero's historical responsibility coincided with his democratic nature. This feeling of a new hero strengthened the poet’s “mighty longing” for a refreshing thunderstorm, for a new battle off the banks of the symbolic Nepryadva, the river of national liberation. In a wrong world, “the heart cannot live in peace,” but it cannot live and fight alone, for it belongs to the people, the people’s army, which is the only one capable of waging a battle for the homeland, for a world worthy of man.
Analysis of Blok’s cycle of poems “On the Kulikovo Field”
Other essays on the topic:
- The cycle “On the Kulikovo Field” is the best thing that Blok wrote about his homeland, about its history and modernity, about the feat of serving his...
- Alexander Blok has his own special attitude towards the Motherland. Russia is not just a topic, but a world endowed with its own features...
- The poem “On Valor...” amazes with its harmony. This is the same pearl of Russian lyrics as “I loved you...” by Pushkin. And yet you can't...
- Blok once argued that if it weren’t for “Stranger” and “Balaganchik”, “Kulikovo Field” would not have been written. Who knows: don't be many years old...
- Lermontov addressed the topic of the Battle of Borodino twice - in 1830-1831 he wrote “Borodino Field”, in 1837 - “Borodino”. Necessity...
- The poem by A. A. Blok “A child is crying under the crescent moon...”, written on December 14, 1903 and included in the book “Poems about ...
- At different stages of Blok’s poetic development, this concept of “lyrical magnitude” changed. In the verses “On the Kulikovo Field”, in a brilliant insight,...
- Essays on literature: Analysis of A. Blok’s poem “Autumn Will” Alexander Blok “found” himself in literature, creating a number of wonderful works...
- The events of 1905 left a noticeable mark on the creative evolution of Alexander Blok. Therefore, a step was taken in his movement towards the people...
- In the “Motherland” cycle, Blok also included the poem “On the Railroad” - about the tragic fate of a young beautiful woman, crushed by a bleak, hopeless...
- “Transfiguration” is the name of the poet’s first post-revolutionary collection. The title is deeply symbolic: not only the author himself is transformed, but also the world around him...
- For Blok, the Fatherland is a beacon that illuminates his entire creative path. If you follow this path from beginning to end, then...
- Comparative analysis of the poems by A. S. Pushkin “I remember a wonderful moment...” and F. I. Tyutchev “I met you and that’s it...
- School essay on a series of stories: a series of stories “Sunny Day”, “Geese-Swans”, “Fedya and Danilka”, “The Magic Coast”. In the style of a writer, in...
The cycle “On the Kulikovo Field”, consisting of five poems interconnected by a common theme, is central to the cycle of poems “Motherland” (1907-1916). It was received ambiguously by critics and contemporary poets and prose writers of Blok, but everyone recognized it as a stunning reflection of reality through its connection with Russia’s historical past.
The cycle of poems “On the Kulikovo Field” was written in 1908. The revolution of 1905 was left behind, but the people did not calm down, a premonition of future unrest was in the air. In the period from 1905 to 1917, Blok rethinks historical events and draws analogies between them and the present. Using the image of the battle on the Kulikovo Field, the poet shows the image of contemporary Russia, the unrest that he anticipates, and those that have already passed. He worries about the future of the country and anticipates the second wave of the revolution.
The poet was a very educated person, he knew the history of his country perfectly, so he often wrote poems based on historical motives. His patriotism is deep and emotional, because the author does not love illusions, but what he knows well. Therefore, his works about war and revolution, about ancient peoples and their connections with their descendants always evoke strong feelings.
Genre, direction and size
The genre of the cycle is lyric-epic. The cycle contains a storyline that develops from poem to poem. Moreover, the text is an allusion to Russia at that time.
The entire cycle is written in iambic, but iambic pentameter, hexameter, two-foot and trimeter iambic are used, this rhythm gives dynamics to the narrative. Stanzas consist of four lines. Both exact and imprecise rhyme are used, and masculine and feminine clauses alternate. There is also cross rhyme.
Images and symbols
The entire cycle is permeated with symbols indicating the restless mood prevailing in Russia in 1908. The steppe path along which warriors gallop to the battlefield is a symbol of the metaphorical historical path along which the homeland goes. As warriors move towards battle, so the country moves towards a new revolution and civil war.
Wife's image is no longer interpreted so simply. Even in the first part of the series, Blok, instead of the classic comparison “Mother Russia,” compares Russia with his wife. But this is not a wife in our everyday understanding, but a reference to the early work of the poet and to Solovyov’s ideas about sacred femininity. This is confirmed by the presence of a quote from Solovyov himself before the final part of the cycle. The image of a certain wife, who will have to mourn the lyrical hero after the battle, runs through the entire cycle. Thus, the final phrase of the second poem can be understood both literally, that is, “remember me later, wife,” and as “remember me, Russia.” The third poem is entirely devoted to the image of a certain beautiful woman. This could be Solovyov’s saint, or an image of Russia.
They also go through the entire cycle symbols of fog and haze. They point to the uncertainty and anxiety that have long shrouded the homeland.
Steppe mare is a whirlpool of events that drags people into carnage. This is an inexorable fate that rushes without clearing the road. The very element of war is expressed in this image.
Lyrical hero - warrior, who gallops to defend his homeland from the Tatar-Mongols. Whether the hero is a reflection of Blok himself, or is he simply an abstract character necessary to convey the main motives of the poem, is not known for sure. The poet leaves this question to the reader’s imagination.
Thus, the main characters are inextricably linked. Wife and husband are a family whose bonds are sacred and eternal. So the Russian person is forever connected with his land.
Themes and mood
The entire poem leads the reader to a feeling of anxiety, to the expectation of something bad, a bloody massacre. Blok became disillusioned with the events of 1905, he saw human cruelty and realized that this path did not suit him. In 1908, the year the poem was written, people were aware of the approaching world war and a possible new revolution. Anxiety and fear due to the unknown of the future and the premonition of approaching disaster permeate the entire poem.
- The main theme of the work is patriotism. The hero is ready to fight for his homeland, to defend it at the cost of his own blood. He loves her as jealously and tenderly as a wife, and intends to protect her as stubbornly as a family hearth.
- The author also talks about beauty and wealth countries, comparing her to a woman of unearthly beauty. She is healthy, powerful and fertile, with a strong and rebellious spirit living in her body. Her rich nature, her priceless gifts, her captivating charms are dedicated to her husband - a protector who responds to the earth with ardent love and devotion.
- War theme also takes not the last place. The author shows a holy battle, which can only be considered defense. Enemies came to Rus', and all its people rose in a sacred impulse - to liberate their homeland. This bloodshed is a sacrifice on the altar of love.
- In addition, the poet lifts the veil of the past, speaking about historical memory. We must remember the courage and bravery of our ancestors: they defended their future, which became our present.
- Another significant topic is anticipation of change. As we remember, the main version of the cause of the Battle of Kulikovo is the uprising of the Russians against the Mongol-Tatar yoke. The terrible massacre of that time preceded positive changes and marked the beginning of the liberation struggle of the Russian people against the invaders. This means that what the poet foresees can bring people a long-awaited solution to pressing problems.
Idea
Blok turns to the past, to the Battle of Kulikovo, not in order to educate people in the spirit of military patriotism, but to draw an analogy with the present. Express anticipation of big changes, show reluctance to a new bloody battle that may precede change. This allusion to the present was highly appreciated by Blok’s contemporaries.
The author, without a doubt, does not want a fight, but realizes that sometimes it is impossible to do without it. This is what happened on the Kulikovo field; the same troubled time was approaching the country during the time of the author. Sometimes war is a force of nature that cannot be stopped by the will of individuals. It is simply inevitable, but in the heat of battle it is necessary to defend the one who cannot stand up for herself - beautiful, dear and beloved Russia.
Means of artistic expression
The cycle “On the Kulikovo Field” is simply replete with interesting metaphors, and they all serve to create an atmosphere of anxiety: “our path pierced our chest,” “sunset in the blood,” “age-old melancholy,” and so on. Numerous personifications (“the haystacks are sad”) and epithets (“he is lazily sad”) serve the same purpose.
An interesting comparison is also used, which stands out against the background of other means of artistic expressiveness and once again refers us to the image of Solovyov’s lady: “The princess did not clean herself with fog like a veil.”
Interesting? Save it on your wall!During the short forty years of his life, Alexander Blok flew like a bright comet across the literary horizon and left an impressive mark behind him. The peak of his creativity came at a turbulent time: Russia, suffering from revolutionary fever, which he loved and dedicated most of his works to it.
Blok's creativity
A. Blok lived at the turn of two centuries and became one of the last poets of pre-revolutionary Rus'. Many of Blok’s works are dedicated to the Motherland, poems about which can be found in almost every poet. But the patriotic lyrics are unique in the work “On the Kulikovo Field”. Analysis of the poem shows that for the author both the past and the future of Rus' are equivalent. The poet was especially worried about the future of his homeland, since he understood that a large historical period was becoming a thing of the past.
Russia was divided into two hostile camps, and Blok is looking for analogies in the history of the state and compares the current situation with the times of Dmitry Donskoy, when the Russian people came to the Kulikovo Field to defend their independence. And he devotes the poem “On the Kulikovo Field” to this topic. Here the reader will find a description of Russian nature, memories of Russia's past and a premonition of change.
Theme of the poem
Starting the analysis of A. Blok’s poem “On the Kulikovo Field,” it is worth noting that in the poem the poet touches on a pressing issue that has especially tormented him lately: the relationship between the people and the intelligentsia. The poet connects the anticipation of events that will change the fate of Russia with memories of the Battle of Kulikovo. Blok was sure that the Mamaev Massacre was a symbolic event in the history of Russia, and they were destined to return. The significance of the Battle of Kulikovo is too great for Russia - it brought liberation to the Russian people from the foreign yoke.
In his thoughts about the future of Russia, Blok uses the symbolism of the Battle of Kulikovo. He compares the approaching revolution and liberation from tsarism with the liberation of Rus' from the Tatar yoke. Continuing the analysis of the poem “On the Kulikovo Field” by A. A. Blok, we see that in the background in the poem the author raises the problem of relations between the intelligentsia and the people. He likens the camp of Dmitry Donskoy to the people - “tens of millions”, and compares the “several hundred thousand” of the Russian intelligentsia, who do not know how to find an approach to the people, with the horde of Mamai.
"On the Kulikovo Field"
The work “On the Kulikovo Field” was written during the years of the first revolution, in 1908. According to A. Blok, in poetry the theme of Russia should always remain the main one. The poet turned to it at the very beginning of his creative career and remained faithful to this theme until the end of his life. The cycle “On the Kulikovo Field” is divided into five chapters and is entirely dedicated to Russia; there are two heroes here - a Russian warrior and a poet.
Blok wrote that such symbolic events as the Battle of Kulikovo are destined to return. In one of his poems, Blok said that the past looks passionately into the future. The first part of “On the Kulikovo Field” plays the role of a prologue, where the author addresses Rus' as his wife. This caused heated discussions, but Blok, calling his homeland his wife, puts a special meaning into this - this is how the poet shows his irresistible love for Russia.
The second poem “On the Kulikovo Field” by A. Blok reports on the upcoming battle and the warrior, about to lie down “for a holy cause,” says that he is not the first and not the last who will give his life for his homeland, since it will be sick for a long time. What helps Rus' in the fight for a just cause is described in the third poem. When the horde moves, the bright “face not made by hands” helps it survive.
In the third part a symbolic image appears. Maybe it’s Russia itself, maybe the Mother of God? One thing is important: this bright ideal helps the hero and Rus' to withstand severe trials. In the last poem, the poet believes in the future of a great Russia. It, with its traditions, history, and the enormous potential of the people, gives the poet hope for the transformation of his homeland. She helped the poet confront the “terrible world” with her majestic beauty.
Russia's path
Continuing the analysis of Blok’s poems “On the Kulikovo Field,” we see that the first lines of the cycle reveal the path of Russia. The author presents two plans: temporal and spatial. The time plan reveals to the reader the historical path of Russia, revealing the past and revealing the future. In the past, he is looking for a life-giving force that allows Russia not to be afraid of the “darkness of the night” that hides its long journey. And the strength of Rus' is in perpetual motion.
Time flows slowly, like a river. But the army sets off, and soon the “scanty clay” of the cliff and “in the steppe” sad haystacks are replaced by a road through the darkness. Time speeds up, and the darkness is replaced by the lights of fires, the shine of banners and sabers. The battle began, and there was no trace left of the former calm. The steppe mare flies so fast that the sunset is already in the blood. Deadly battles on earth are reflected in the sky. And there is no number of deaths - this happens as often as sunset in the sky.
In the image of a rushing “steppe mare” the author represents his homeland. This image embodies eternal movement and Scythian origins. The price for moving forward is suffering. Therefore, the author’s search for the future is tragic - the path of Rus' lies through pain: “with a Tatar arrow” our path “pierced our chest.” The spatial plan in combination with the temporal gives the work a special dynamism. Rus' will not freeze in immobility; changes will always be expected on its path: “And there is no end!”
It is worth noting the poet’s special portrayal of Russia. As the analysis of Blok’s poems “On the Kulikovo Field” showed, the main role here is played not by external impressions, but by comparisons with the poet’s internal experiences. “Sunset in Blood,” flowing from the poet’s heart, illustrates the author’s deep personal perception of his native land. Blok moves away from the traditional image of the Motherland in literature and compares it with the woman he loves.
Russia's past
To understand Russia's present and foresee its future, the author turns to the country's long past. “On the Kulikovo Field” is an example of Blok’s patriotic lyrics; here the poet merges with the lyrical hero. And it is impossible to distinguish where the author expresses his feelings and where he speaks on behalf of the hero. The poet presents the image of Russia in the form of a wife and a beloved woman - “My wife!” Such an attitude towards the fatherland is found only in Blok’s works. The author strives to unravel and understand the source of the homeland’s strength. But this is impossible, she is incomprehensible, and this makes her even more beautiful.
Present and future
The history of Russia gives incentive and strength to live, a great country that survived, bleeding, and got back on its feet, but received serious wounds, so it did not get stronger - “the homeland will be sick” for a long time. But the author is confident that she will survive this time too, because she has lived through more terrible times. Blok is confident that Russia is protected by an invisible force - “a face not made by hands.” The country, like a Phoenix bird, will rise from the ashes, thanks to this intercession, “it will shine forever.” Such a country can only have a great future.
In the poem “On the Kulikovo Field,” Blok’s talent as a poet-visionary was revealed more than ever. He feels that Russia will have to endure many difficulties. Again, “the darkness rose and wasted,” but he is proud of its strength and inflexibility - “your hour has come.” Only a huge, powerful country can endure great trials. Blok’s lines were written as if out of time, and they can be attributed not only to the 14th century, the decisive century for Rus', but also to the present. This is the prediction of the great citizen of Russia - the poet A. A. Blok.
A fine line
With this patriotism, Blok teaches from his “far” to love, be tolerant of the homeland and be content with what you have. Continuing the analysis of Blok’s poems “On the Kulikovo Field”, one cannot help but note the connection of the cycle with the article “Russia and the Intelligentsia”, in which the author writes that there are two realities that do not understand each other - the people and the intelligentsia.
A constant change of moods and battle standards occurs among hundreds of thousands. There is a roar over the city that even an experienced ear cannot understand; such a roar was also over the Tatar camp on the night before the battle. The carts behind Nepryadva are creaking, people are screaming, and geese are splashing and calling on the foggy river.
And among tens of millions - silence and sleep. There was silence over the camp of Dmitry Donskoy, but the governor began to cry and heard how the widow was crying inconsolably, how the mother was beating against the stirrups of her son. There is a line between the two camps, the people and the intelligentsia, where both converge.
How strange it is to converge on it - here a tramp, a worker, a peasant, and a sectarian converge - with an official and a public figure, with a writer and a revolutionary. And although the line is thin, the two camps still do not want to know each other and treat those who want peace as defectors and traitors. Isn’t this line as thin as the Nepryadva River? It wound between two camps, flowed for seven nights, red with blood, on the night after the battle.
Rapid movement
The poem contains exclamatory sentences. In combination with artistic means, they make the work more expressive and reveal the poet’s inner world. In Blok’s work one can hear pride in the homeland, which managed to rise up and defend its independence. He feels like a poet of his native country and is happy that he is involved in the great era of upheaval.
Rapid movement is an approach to death; the eternal battle in the poem is not joyful, but dramatic. Both the pace of poetic speech and the intonation structure correspond to the theme of the work. It starts slowly and calmly, then the pace increases rapidly, the sentences become short - “Let’s get home!”, “Stop it!”, “There is no peace!”
The exclamatory intonations increase - there are seven exclamation marks in seven stanzas. The author’s speech is extremely excited and this feeling is also achieved through the verse structure. Concluding the analysis of Blok’s poem “On the Kulikovo Field”, it should be noted that it is written in iambic meter, this is what gives the text a special dynamism, conveying an uncontrollable impulse and a tragic approach to death.
"Do you remember? In our sleepy bay..." "I'm sitting behind the screen. I have...” “Your face is so familiar to me...” “Much fell silent. Many have left..." Demon "I've been waiting all my life. Tired of waiting..." "Gone. But the hyacinths were waiting...” “At night in my garden...” “Perhaps you don’t want to guess...” Autumn dances “Dear maiden, why do you need to know what life has in store for us...” Aviator “No, never mine, and you are no one’s you won't..." "The wind will blow, the snow will howl..." "Life is without beginning and end..." "Why in my tired chest..." "Having left the city..." "And we won't have long to admire..." "Here He is - Christ - in chains and roses...” “God’s clarity is everywhere...” “He is lifted up - this iron rod...” “Fluffed up, swayed...” Together The dilapidated hut of the Raven And again the snow Pale tales “The poet is in exile and in doubt...” “I see the brilliance that I had forgotten... “Let the moon shine - the night is dark...” “For you alone, for you alone...” “You lived a lot, I sang more...” “It’s time to forget yourself into a dream full of happiness...” “Let the dawn look into our eyes...” “The muse in the attire of spring.” knocked on the poet’s door...” “The full moon rose over the meadow...” “Catching moments of gloomy sadness...” “She was young and beautiful...” “I rush around in the darkness, in the icy desert...” “In the night when anxiety falls asleep...” Servus – reginae Solveig Guardian Angel “I was embarrassed and cheerful...” “Oh, spring without end and without edge...” “When you stand in my way...” “I remember the long torment...” “About valor, about exploits, about glory...” “On the Kulikovo field “How hard it is to walk among people...” “When you are driven and beaten...” “The sound is approaching. And, submissive to the aching sound...” “The earthly heart is freezing again...” “You were brighter, more faithful and more charming than anyone else...” Nightingale Garden Scythians “They met him everywhere...” Stranger “Night, street, lantern, pharmacy...” In the corner of the sofa “Barka” life has risen..." "The wind brought from afar..." Gamayun, a bird prophesying "With his bitter tears..." In the restaurant "I strive for a luxurious will..." "Twilight, spring twilight..." "I plunged into the sea of clover..." "The violin groans under the mountain ..." Dawn "The faithless shadows of day are running..." "I dreamed of cheerful thoughts..." "I enter dark temples..." "I wake up - and the field is foggy..." "You were born from the whisper of words..." The Commander's steps "The shadows have not yet fallen evening..." "I am Hamlet. The blood runs cold..." "Like day, bright, but incomprehensible..." "The girl sang in the church choir..." "Turned everything into a joke at first..." "A blizzard is sweeping through the streets..." "And again - the gusts of youth..." "I told you unearthly...” “Received the world like a ringing gift...” In the dunes On the islands “Harmonica, harmonica!..” Factory “She came from the cold...” Showroom Before the trial “Oh, I want to live madly...” Russia “Born in the age of deaf ..." Poets “I will get up on a foggy morning...” “St. Petersburg snowy twilight...” “A child is crying. Under the crescent moon...” Voice in the clouds “Hours, and days, and years go by...” “We live in an ancient cell...” “I believe in the Sun of the Covenant...” “Understand, I’m confused, I’m confused...” “We were together, I remember...” “For the short dream that I’m having today...” “There’s a glow in the sky. The dead night is dead...” “Lonely, I come to you...” “I have a presentiment of You. Years pass by..." "We met you at sunset..." Two inscriptions on the collection of the Pushkin House Gray Morning Kite From the newspapers "The wind wheezes on the bridge between the pillars..." "Rising from the darkness of the cellars..." "I was walking towards bliss. The path shone..." "The morning is breathing through your window...” To the unknown God of My mother. (“The darkness has descended, fraught with fog...”) “The bright sun, the blue distance...” “The clouds float lazily and heavily...” “The poet is in exile and in doubt...” “Even though everyone is still a singer...” “I am looking for salvation...” “ Come in everyone. In the inner chambers...” “I, a youth, light the candles...” “The window did not shake for a whole year...” “The grass was breaking through the forgotten graves...” “Don’t trust one’s roads...” “I will see how one will die...” “That is the echo of the young. days..." "Renounce your favorite creations..." "Exhausted by a storm of inspiration..." "Slowly, hard and surely..." December 31, 1900 "Rest is in vain. The road is steep...” “I went out. Slowly they went down…” To my mother. (“The more painful the rebellious soul...”) “On a cold day, on an autumn day...” “On a white night, the red month...” “I am waiting for the call, looking for an answer...” “You are burning over a high mountain...” “Slowly through the church doors...” “There will be a day - and a great thing will happen...” “I waited a long time - you came out late...” “At night there was a snowy blizzard...” New Year’s night “Dreams of unprecedented thoughts...” “On the spring festival of light...” “Sorrowless people will not understand...” “ You are God's day. My dreams..." "Guess and wait. In the middle of the night...” “I was slowly going crazy...” “Spring in the river breaks the ice floes...” “I look for strange and new things on the pages...” “During the day I do the things of vanity...” “I love high cathedrals...” “I wander within the walls of the monastery...” “I am young, and fresh, and in love...” “The light in the window was staggering...” “A golden valley...” “I went out into the night - to find out, to understand...” Ecclesiastes. “He appeared at a harmonious ball...” “Freedom looks into the blue... "" Secret signs are flaring up..." "I kept them in John's chapel..." "I stand in power, alone in soul..." "A singing dream, a blooming color..." "I will not go out to meet people..." "The halls have darkened, faded..." " Is everything calm among the people?..” “The doors open - there are flickerings...” “I carved a staff from oak...” “She was fifteen years old. But by the knock...” “Bright dream, you won’t deceive...” “Dark, pale green...” “My beloved, my prince, my fiancé...” “Solveig! Oh Solveig! Oh, Sunny Path!..” “In the thick grass you will disappear headlong...” Girl from Spoleto “The spicy spirit of March was in the lunar circle...” On the railway Humiliation “Eating in a wild grove, by the ravine...” To my mother. (“Friend, look how in the plain of heaven...”) “Tired from the day’s wanderings...” “I dreamed of the death of my beloved creature...” “The moon woke up. The city is noisy...” “I dreamed about you again, in flowers...” “The edge of the sky - the omega star...” “Dear friend! You are a young soul...” Ophelia’s song “When the crowd around the idols applauds...” “Do you remember the troubled city...” “Fate itself bequeathed to me...” “I am an old soul. Some kind of black lot...” “Don’t shed burning tears...” “Why, why into the darkness of oblivion...” “The city is sleeping, shrouded in darkness...” “Until with a calm foot...” Dolor ante lucem “The autumn day descends in slow succession...” “You rise you, what a strict day...” “We walked along the azure path...” “The morning eye opened...” “I walked in the darkness of a rainy night...” “Today into the night along the same path...” “Cruel May with white nights!..” Ravenna Autumn day Artist Twelve “I remember the tenderness of your shoulders...” “Well, what? Weak hands are wearily wrung..." A voice from the choir. Last parting words: "The bow began to sing. And the cloud is stuffy..." Korolevna "You lived alone! You weren’t looking for friends...” Autumn Will Rus' Rally “I put my ear to the ground...” “In hungry and sick captivity...” Z. Gippius. (Upon receiving “Last Poems”) “The angry gaze of colorless eyes...” “How the ocean changes color...” “The snowy spring is raging...” “Oh yes, love is free like a bird...” “It’s raining and slush outside...” “They will bury , they will bury it deep...” “You say that I am cold, withdrawn and dry...” “The pipe began to sing on the bridge...”